Address

Entrada franca
Antônio Pimenta Alley

Antônio Pimenta Alley

Old narrow path that connects the Church square to the Pimentas street, which gives access to the road that leads to the main Itabirito.

It has remnants of stone paving on the floor and flanked stone walls. It also features sections with new paving and walls. This alley deserves attention in order not to allow its mischaracterization by some local residents.

It presents a strong angle in its course that does not allow to see it in its entirety. Marked by dry stone walls that delimit the backyards, its surroundings are framed by exuberant vegetation, with an emphasis on centenary jabuticaba trees. There are remnants of the original cladding in stone blocks in the highest level area near the access to the Church square. Possibly it would be covered only in this section. It is 132m long. It has several names besides Antônio Pimenta Alley, among which are Virgins Alleys and Dodô’s Alley.

Narrativa

During Carnival, some men would go out dressed as virgins parading down this alley, giving the old path its name, according to Mr. Jaber Damasceno, 79 years old, resident of São Gonçalo do Bação.

According to Ms. Divina do Espírito Santo, 94 years old, in the 19th century, there was a ranch or inn for herdsmen made up of stone walls, located on the corner of the square between Largo da Matriz and Beco Antônio Pimenta.

Note: it is possible to identify remaining foundations at the site.

Registration in other heritage and environmental bodies

It is listed as an Inventoried Asset of the Itabirito City Hall

Notes

-This set of inventories was prepared exclusively for the purpose of registering the cultural assets indicated by the community of São Gonçalo do Bação to meet the signaling, digital registration and enhancement program for Alleys, Fountains and Historic Attractions Circuits; - The contents of these inventories, if used in reports, other types of inventories and/or publications, must be duly cited, following ABNT rules; - A autoria das fotos e a origem do acervo iconográfico (seja acervo pessoal ou familiar) deve ser citada.

Information sponsors

Alenice Baeta, Cristina Cairo e Hudson Faria

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